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  • Gatefold sleeve read moreour weekly auctions feature thousands of unusual, rare, and exceptional objects you won’t find in just any storegatefold sleeve recorded in new york, may (a2 & a jazz imagesit contains miles’ first version of “if i were a bell” from the play guys and dolls, a tune he would include in his concert repertoire untilhackensack, new jersey, may (b2 & b3) & october (a1-a3, b1)(*) bonus tracks: same personnelthe steady syncopation of philly joe jones keeps the rhythms tight and the delicate interplay all the more conspicuouscatawiki’s goal is to make special objects universally available” two tunes from the first prestige lp by the quintet have been added as a bonusmiles davis ?– miles ahead gatefold sleeve ean:\t miles davis ?– relaxin' miles davis’ first classic quintet was formed in and is widely regarded as one of the greatest combos in jazz history“hearing the many variations that he comes up with throughout the song”, wrote lindsay planer, “conveys how intrigued davis must have been by the tune, as it stayed in his performance repertoire for decadestracks such as ‘you’re my everything’ and ‘oleo’ highlight the synchronic nature of davis and coltrane as they carry each other’s melodies while trading off soloshackensack, new jersey, novemberplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteon the cover: miles davis at salle pleyel, paris, novembermiles davis ?– miles davis plays ballads recorded in hackensack, new jersey, october (a3, a4 & b2), may (a1 & b1), november (b3) & june (b4)relaxin’ was the second in a series of four albums featuring the group recorded between may and october offrom the lp the new miles davis quintet (prestige lp)photos © by jean-pierre leloirare you interested in this item? this item is up for auction at catawiki

    34 €

  • Track a4 is a bonus track?&© waxtime recordsour weekly auctions feature thousands of unusual, rare, and exceptional objects you won’t find in just any store180 gram purple colored vinyl john coltrane ?– plays the blues 180 gram black vinyl, cased in a gatefold cover matrix / runout (side a): e1/b matrix / runout (side b): e2/a barcode: john coltrane ?– blue train 180g colored (orange) vinyl editiontrack b2 - hackensack, new jersey, maynot on the original lp configurationcatawiki’s goal is to make special objects universally availableare you interested in this item? this item is up for auction at catawikiin shrink wrapped sleeve with info sticker, bottom left cornerplease click on "respond to advert" (orange button) to get redirected to the catawiki websitetracks a1 to a4 - hackensack, new jersey, augustincluds one bonus track from the same session, not on the original lp: "east bound" mastered through direct metal masteringdmm - direct metal masteringjohn coltrane ?– lush life original sessions recorded by rudy van gelder & produced by bob weinstocktrack b1 - hackensack, new jersey, january

    33 €

  • Recorded at rudy van gelder studio, hackensack march 26th disc two; bahia  recorded at rudy van gelder studio, hackensack july 11th and december 26thdisc three; the last trane; recorded at rudy van gelder studio, hackensack august 16th , january 10th and march 26th see oxfam website for delivery information read moreoxfam shop evesham the status of the individual in jazz has always been determined by originality of solofrom louis armstrong, the first of the greats, through dizzy gillespie and charlie parker to sonny rollins and ometta  coleman, this yardstick was held goodduring hid lifetime he made such a huge impact  on his contempories, along with the aforementioned rollins, more or less dictating the approach all fledgling tenor players would have to followover 40 years after his death, this iconoclastic figure still casts a shadow over many young musicians who aspire to emulate himsaxophonist john coltrane is a member of that exclusive club who made a mark on improvised music which will never be erasedthree classic coltrane albums are featured in this 3 cd set: disc one; settin' the pacecoltrane was a member of the classic miles davis quintet of the mid-fifties

    12 €

  • Originally released on prestige ()includes liner notes by ira gitlerrecorded at the van gelder studio, hackensack, new jersey on december and may 24 & augustchambers is flawless in his support role, and on this recording deserves a close listen, especially for students of the acoustic upright

    8 €

  • Recorded at the van gelder studio, hackensack, new jersey on octoberdigitally remastered using 24-bit technology by rudy van gelder (van gelder studio, englewood cliffs, new jersey)originally released on blue note ()

    12 €

  • A commendable projectbrilliant corners 4ruby my dear see oxfam website for delivery information read morerather than settling for cloning the originals and then just slapping a guitar part on top, summers has expertly deconstructed a cluster of monk favourites and then reassembled them with guitar parts elegantly integrated into the structure of each piecegreen chimneys 2what's less easy to anticipate is the constant innovation of summers' interpretationsit's easy to see what summer means and also refreshing to hear how his own solution to the problem is in many ways as innovative as monk's original thinkingboo boo's birthday 9think of one 12light blue/rhythm-a-ning 13'round midnight 6oxfam bookshop lymington when this album was released, bournemouth's favourite ex-policeman expressed the view that most albums of the music of thelonious monk made by anyone other than monk himself tended to end up as solo-theme-solo blowing sessions which detracted from monk's skill as a composerpredictably, the selection includes "brilliant corners", "'round midnight" and so on, while the presence of sting as guest vocalist on the latter and summers' ability to rustle up some powerful jazz company for this recording (including peter erskine and hank roberts) is also par for the course

    9 €

  • Corea, clarke & white - hackensack 7:29corea, clarke & white - windows 8:54corea, clarke & white - la canción de sophia 7:37corea, clarke & white - bud powell 7:09corea, clarke & white - waltz for debby 9:54

    14 €

  • Moanin' (alternate take)personnel: art blakey (drums); benny golson (tenor saxophone); lee morgan (trumpet); bobby timmons (piano)recorded at the van gelder studio, hackensack, new jersey on octoberwarm-up and dialogue between lee and rudy

    9 €

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