Giovanni battista piranesi
List giovanni battista piranesi
-
Engraved by giovanni battista piranesithe print is in fair condition, a restoration to the central fold, wide margins, printed on laid paper with watermark âdouble circle and lilyâcopper engraving (first roman edition of piranesiâs antichitĂ romane)catawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websitedraftsman, ether and architect (morano di mestre, october - rome, november )are you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storesize of the engraved part: 63 x 48 cm
102 âŹ
-
giovanni battista piranesi () etching titled " veduta del teatro di marcello", from the series "varie vedute di roma the details are beautiful and the quality of workmanship is precise18th century signed piranesi fe on the bottom left sheet size: 33margins: with moisture stains and foxing read moreetching size: 13catawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki website7cm in good conditionare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storeetching: some foxing
62 âŹ
-
giovanni battista piranesi two etching from antichitĂ romane the first is: dimostrazione in grande di alcvne delle parti del prim'ordine del serraglio delle fiere fabbricato da domiziano the second is: prospetto di un sepolcro delle camerepaper size cm 54 x 41 plate sizes cm 36,5 x 20 and 40,5 x 26 shipping with dhl read morequite good conditions, some stains mostly around the borderscatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
60 âŹ
-
Original etching by giovanni battista piransei, etching on handmade paper mogliano rome, compilation of 6 names of the claudy monument caes in italyworldwide insured shipping with dhlmonumentum claudy caes arcum ductus ejusdem aquae designations from 1 - 6 good condition, no damage, marked at the top left and dated, see photoscenographica operis includentis specum aqua virginis 2catawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storedimensions: 35 x 24 cm, in the frame 56 x 48 cm
320 âŹ
-
piranesi was a regular visitor, in rome, of casa corsini, meeting place of intellectuals among which giovanni gaetano bottari; to him the artist dedicated the âantichitĂ romane deâ tempi della repubblicaâpiranesi had returned to rome after a trip to veneto, and he was influenced by the lagoon cityscape cultureconsidered as one of the most renowned exponents of topographic engraving, piranesi was able to celebrate its meaning through the skilful use of light and shadowthe collection is considered the 1st edition, published by piranesi in , followed by a second edition with revised branches and a higher number of plates, 32, which took the title âalcune vedute di archi trionfali[rather than the archaeological finds, this first series of engravings of roman monuments by piranesi is linked to the enjoyment of the view; however, although it is not intended as a theoretical âmanifestoâ of the study of antiquity, it also has a high programmatic value at such an early date]â, published between andthe work comes from a series of 30 plates with views of ancient rome and outside romebettagno notes that most of the plates in the series were made in the s, at a time when gtitle engraved at the bottom centre with piranesi's signature in the bottom left corner; plate number tav21 on bottom rightthe beautiful image depicts the temple of pula in istria with animation of characters in the foregroundcatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storesi vende dall'autore dirimpetto l'academia di franzia original etching on copper matrix, printed on thick laid paper with watermark of fleur-de-lis with circle
143 âŹ
-
The beautiful image is one of the four plates dedicated by piranesi to the basilica of san giovanni in laterano: the sheet under consideration is the only piranesi view in which the basilica lateranense is depicted with the baptistry beside itoriginal etching on copper matrix, i print run out of four, printed on thick paper; within the illustrated part, in the bottom right corner, title and references within cartouche; also on the plate, under the bottom left framing line, indication of the author, cavalier piranesi fthe work belongs to the series of the grandiose views of rome, which piranesi worked on from to the last years: in these plates the master, who is remembered as one of the greatest engravers of the eighteenth century, intended to celebrate the magnificence of the eternal city, seat of the ancient emperors and popeson the left, among buildings that are now gone, you can see the arches of an aqueduct, built by nero to bring water to the domus aurea and the celiothe square is shown in the appearance that domenico fontana gave it between and , at the time of pope sixtus vcatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storethe making of this plate is dated by hindin the foreground, on the right, the old baptistry that dates back, like the basilica, at the time of emperor constantine (who died in 337)at the bottom is the building of the scala sancta (which encompasses the medieval chapel of sancta sanctorum); on the right is the palazzo lateranense, the hall of blessings and the obelisk, brought by the circus maximus
692 âŹ
-
"avanzo della gran fabbrica sepolcrale aggiunta al mausoleo di costanza" a beautiful and large engraving on copper of , engraved by giovanbattista piranesithird roman print run () engraver: giovanbattista piranesi technique: copper engraving date of engraving: third roman print run () origin: italy dimensions of the engraved area: 382x46 cm the print is in good condition, with wide margins, usual centrefold, printed on "pm" laid paper with watermark read morecatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
205 âŹ
-
piranesi had returned to rome after a trip to veneto, and he was influenced by the lagoon cityscape culturethe collection is considered the second expanded edition of a series of 30 sheets, published by piranesi in , and titled âantichitĂ romane deâ tempi della repubblica, e deâ primi imperatori [original etching on a copper matrixbettagno notes that most of the plates in the series were made in the s, at a time when gin good condition, with vivid ink, full margins; at the top margin, small thinning of the paper and minor oxidation stainthe work is from a series of 32 plates with views of buildings erected by the ancient romans in rome and different italian placeshind dates the edition of âalcune vedute [on the plate, on the top left corner âtav]â between and , specifying that the plates (compared to the print) were revised by the author, and that the series was enriched with two new images (one of which was made by the masterâs son, francesco)catawikiâs goal is to make special objects universally availablebettagno placed the change of title, doubtfully, in the mid-splease click on "respond to advert" (orange button) to get redirected to the catawiki website7â, title and authorâs indication at the bottom right cornerare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storethe sheet in question depicts a glimpse of rome; hind notes that the ruins depicted are now known as the "temple of vespasian"
149 âŹ
-
Print of the first period, when young piranesi was a student of vasisharp print of the colosseum still when it was a âruinâ, with overgrown grass at the top and with parts that are now missinganimated scene with passers-bya relationship so conflicted that, it seems, he wanted to kill him because of the envy thar vasi felt towards him, for example he did not teach him enough the secrets of etchingwith certificate of authenticityby now their controversy on how to engrave plates is legendary, vasi's architectural method and piranesi's impetuous and "pictorial" methodin very good condition with good marginscatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
65 âŹ
-
Slightly discolored with surface dirtprinted on wove paper, the etching is laid down on cardnice dark inkingbibliography: focillon nfrom the series of piranesiâs etchings âantichitĂ di albano e di castel gandolfoâ (antiquities from albano and castel gandolfo)catawikiâs goal is to make special objects universally availableoriginal crease from the book is still visible in the marginsplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store516 we ship with tracking information and insure the value of the print against loss and damage
159 âŹ
-
It depicts villa ludovisi with the gardens and several characters, beautiful engraving from the series of of which signed by piranesi, "antichitĂ romane de'tempi della repubblica, disegnate e intagliate da diversi autori", published in rome insheet with good margins, on laid paper, in good condition, only with the publishing fold, light foxing stains at the bottom, especially visible on the back, and stains of old adhesive outside the printed area (see photos)focillon, 90; wilton-ely 87catawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storeâ, title in the middlebelow the image, to the left âpiranese f
64 âŹ
-
Sheet with wide margins, on nineteenth-century paper, in good condition, only with slight traces of foxing outside the printed area (see photos)', on top centre 'tit is part of âvarie vedute di roma", first published in , here in a nineteenth-century edition of the "accurata e succinta descrizione topografica delle antichitĂ di roma" by the historian and archaeologist from cortona ridolfino venutiview of the remains of the vespasian temple, once thought of as the temple of jupiter tonans in rometitle below the image, to the right 'piranesi inccatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
64 âŹ
-
Batta piranesi dissheet margins with signs of wear and handlingthe plate is preserved in good conditionetching, plate size: 272x216printed signature on bottom centre giocatawikiâs goal is to make special objects universally availablesome signs of stains due to ageplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteengraver: pietro rugaiare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storenumbered on bottom right â1âinscription on bottom centre
62 âŹ
-
Title below the image, on the right 'piranesi inc', on top right 'tview of the ruins of the temple with several figures, in the background on the left the arch of tituscatawikiâs goal is to make special objects universally availableit is part of âvarie vedute di romaâ, first published in , here in a nineteenth-century edition of the âaccurata e succinta descrizione topografica delle antichitĂ di romaâ by the historian and archaeologist from cortona ridolfino venutiplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storesheet with wide margins, on 19th-century paper, in very good condition (please see photos)
63 âŹ
-
piranesi was an etcher and architect; born venice, to rome for the rest of his career, with the exception of a short period in venicete in altre stanzenegli altri colombaj, ove quelle mancano, ne apparè segno alcune d'esservi state; si può credere, che non vi sia stato posto il cenere, come abbiamo osservato parimarrunzio nella stessa vigna, scoperta l'annovna nicchia sola piĂš grande si osserva in mezzo di una parete, il restante sono tutti colombaj in buona parte ricoperti dal terrenoquesta camera senza iscrizione alcuna illustre, senza alcun vestigio di nobile ornamento pare, che sia stata fabbricata a comodo, e richiesta comune mediante un patuito prezzoil che si può agevolmente supporre anche dalla varietĂ de'nomi nelle brevi iscrizioni segnati, e dalle arti ignobili in quelle espresse, tra quali si legge qeulla di un tal la small tear at 11 o'clock and one at 6 o'clockmanipulation foldsaquilio ciabattinocatawikiâs goal is to make special objects universally availableare you interested in this item? this item is up for auction at catawikiseries/book title: le antichitĂ romane ii (the antiquities of rome, volume 2)altre camere a questa contigue, essendo mezzo rovinate, furono demolite del tutto; raccoltane però tra quelle rovine gran quantitĂ di framenti di casse, sarcofaghi, vasi, vrne e d'altri funebri monumentilettering: "camera sepolcrale pochi passi distante da quella gia descritta della famiglia di l" condition: goodnear perforation bottom leftle pareti contengono una diposizione di colombaj, sotto ad alcuni de'quali sonovi le iscrizioni coi nomi de'defontilight stain around plate markbeautiful impression on laid papermade cavaliere dello speron d'oro (cavalier of the golden spur) by pope clement xiii (qplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
(England)
237 âŹ
-
Batta piranesi dissheet margins with signs of wear and handlingetching, plate size: 276x207 mmprinted signature on bottom centre gioengraver ant:poggioli, printed signature at the bottomsome signs of stains due to agingnumbered 18 on bottom rightcatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storepencil description on the backthe plate is in good conditioninscription on bottom centre
52 âŹ
-
First edition, published by piranesi inheavy laid paper with very crisp print, excellently inkedplease note: side margins are rebuiltare you interested in this item? this item is up for auction at catawikicatawikiâs goal is to make special objects universally availableetching and burinplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteplease see photospianta del tempio di giunone dentro i portici dâottaviaour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
29 âŹ
-
Profilo di una nave antica di marmo a tre ordini di remi by giovani battista piranesi ()dedicated to egidio earle, english knight, lover of fine artsetching on a contemporary laid papervery good conditionpublished on "piranesi, the complete etchings" by lcatawikiâs goal is to make special objects universally availablesigned on plateplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storeon the volume "vases and candelabras"
173 âŹ
-
Mosaici delle chiese di roma anteriori al secolo xv (rome, ),- by giovanni battista de rossigiovanni battista (carlo) de rossi () was an italian archaeologist, famous even outside his field for rediscovering early christian catacombsthe sale is for the 15 plates only but the part folios containing large text pages can be sent for extra postage if requiredcondition: very good - colours still vibrant - some age toneing to some plates - minor chipping to some edges - tissue guards still in placedimensions: sheet - " wide x " hig a collection of antique plates, with some striking images which will look great when framedcoloured lithographs illustrating the late antique and medieval mosaics of rome x lithographs only remaining from 6 part foliostracked delivery plates only - ÂŁ six folios with text pages & plates - ÂŁ read more
59 âŹ
-
Published by giovanni giacomo de rossi () ingiovanni battista falda, italian engraver, documented architecture and urban planning in rome in the second half of the seventeenth centuryhowever, in the training and subsequent activity of the young falda, the meeting with giovanni giacomo de rossi and the early apprenticeship in his print shop were more importantthe numbers are added next to several noteworthy buildings and monuments that are identified below the imagearchitettura di michelâ angelo bonaroti la facciata di carlo maderno li portici del cavalier bernini la cupola inalzata da iacomo della porta et la guglia del cavview from the top of the square and the portico in front of the strare image with a colonnade that was never builtpeterâs basilica in romewonderful print on laid paper, preserved in very good condition except for some flaws due to agefrom âil nuovo teatro delle fabbriche, et edificii, in prospettiva di rome modernaâwith certificate of authenticitya copy is in the collection of the metropolitan museum of artthe colonnade is represented in a phase of the levels that was never made with a third part of the portico on the opposite side, leaving only two narrow entrances to the squarehe soon demonstrated interest and talent for drawinghe was then put in the workshop of a local painter, and then, at the age of 14, sent to rome to an uncle who introduced him to gian lorenzo berninicatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
82 âŹ
-
High-quality print with wide marginscanaletto (giovanni antonio canal)brustolon (giovanni battista) () 'feste ducali'total size: 55 x 70 cmhe is known for his series of prints after canaletto's works and he also engaged in an intense activity as a book illustratorprinted on paper with watermark, average size of the prints: 45 x 57 cmtitle: no 2: il doge portato in piazza san marco an apprentice in giuseppe wagner's studio, brustolon was introduced to the art of printing at an early agethis scene depicts the ceremonies presided over by the doge and constitute a monumental page of the history of the serenissimacatawikiâs goal is to make special objects universally availablein excellent overall conditionplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store[venezia, ludovico furlanetto, ] after canalettoâs redactions () to celebrate the election of the doge alvise iv mocenigo in
101 âŹ
-
Letter from the state secretariat of his holiness signed by the holy giovanni battista montini, future pope paul vi(stock photo, not included in the lot)autograph with certificate of authenticity (coa-r), registered and available for consultation in our archivesa telegram announcing the arrival of the letter from the vatican is also attachedcatawikiâs goal is to make special objects universally availableletter written in the vatican on 18 aprilplease click on "respond to advert" (orange button) to get redirected to the catawiki websitewithin the letter, the cardinal gives the apostolic blessing to profare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storecutolo of the galileo ferraris institute in turin for the research work carried out by vatican radio and which made the pontiff particularly pleased
178 âŹ
-
Handwritten message of greetings of the future pope paul vi born giovanni battista montinithe date is january(stock photo, not included in the lot)montini, at the time archbishop of milan, now a saint of the catholic churchcatawikiâs goal is to make special objects universally availablethe message is written on a card with letterhead of monsplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storeautograph with certificate of authenticity (coa-r), registered and available for consultation in our archives
172 âŹ
-
Letter with signature of the future pope paul vi (born giovanni battista montini) as substituteletter written in the vatican on julycatawikiâs goal is to make special objects universally availablethe letter appoints marquis pasquale pinto of the diocese of capaccio - valla as cameriere segreto soprannumerario di spada e cappaplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storethe document also contains a business card for the apostolic delegate in syria with whom the appointment of the marquis pasquale pinto is communicated
174 âŹ
-
piranesi was a regular visitor, in rome, of casa corsini, meeting place of intellectuals among which giovanni gaetano bottari; to him the artist dedicated the âantichitĂ romane deâ tempi della repubblicaâpiranesi had returned to rome after a trip to veneto, and he was influenced by the lagoon cityscape cultureconsidered as one of the most renowned exponents of topographic engraving, piranesi was able to celebrate its meaning through the skilful use of light and shadowthe collection is considered the 1st edition, published by piranesi in , followed by a second edition with revised branches and a higher number of plates, 32, which took the title âalcune vedute di archi trionfali[rather than the archaeological finds, this first series of engravings of roman monuments by piranesi is linked to the enjoyment of the view; however, although it is not intended as a theoretical âmanifestoâ of the study of antiquity, it also has a high programmatic value at such an early date]â, published between andbettagno notes that most of the plates in the series were made in the s, at a time when gtitle engraved on bottom centre; on the left, name of the creator israel silvestre; on the right, key with two references and piranesiâs signature; below, plate number âtavthe work comes from a series of 30 plates with views of the ancient rome and outside romeoriginal etching on copper matrix, printed on thick laid paper with watermark of fleur-de-lis with circlethe beautiful representation depicts the arch of septimius severus, in the background the temple of concordia and the hill to the capitol; animation of characters in the foregroundcatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any store
153 âŹ
-
piranesi had returned to rome after a trip to veneto, and he was influenced by the lagoon cityscape culturethe collection is considered the second expanded edition of a series of 30 sheets, published by piranesi in , and titled âantichitĂ romane deâ tempi della repubblica, e deâ primi imperatori [in plate, on the left, on bottom corner âtavoriginal etching on a copper matrix24â, indication of the author on bottom left corner, title on bottombettagno notes that most of the plates in the series were made in the s, at a time when gthe arch of the sergii is a roman triumphal arch that was paid for by salvia postuma, to commemorate her husband lucius sergius lepidus, a tribune of the xxix legion, who participated in the battle of actiumthe work is from a series of 32 plates with views of buildings erected by the ancient romans in rome and different italian placeshind dates the edition of âalcune vedute [preserved in very good condition, good ink, crisp and full marginsthis sheet depicts the arch in pula, croatia]â between and , specifying that the plates (compared to the print) were revised by the author, and that the series was enriched with two new images (one of which was made by the masterâs son, francesco)catawikiâs goal is to make special objects universally availablebettagno placed the change of title, doubtfully, in the mid-splease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storeconstruction date is c
150 âŹ
-
Yellowing papercondition is finefrom the series: antichitĂ di coraspectacular etching on laid paper, with text at the backtrimmed within the plate markwe send the print with tracking information and we insure its entire valuelost upper left cornercatawikiâs goal is to make special objects universally availabledirt on surfaceplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storewe ship from the uk as our archive is in london
30 âŹ
-
Born in genoa, castiglione began career in studio of giovanni battista paggigiovanni benedetto castiglione () painter, printmaker and draughtsman; inventor of the monotypetrimmed on/just outside plate bordergood impression on laid papersmall studies of heads in oriental headdress bellini bartsch xxismall defect bottom right cornercastiglione divided his time between genoa, venice, parma and mantua, and from the early s until his death, he received commissions from members of the court of carlo ii gonzaga, 9th duke of mantuafrom he is documented in romein his later years, ccatawikiâs goal is to make special objects universally availableplease click on "respond to advert" (orange button) to get redirected to the catawiki websiteare you interested in this item? this item is up for auction at catawikiour weekly auctions feature thousands of unusual, rare, and exceptional objects you wonât find in just any storelived in genoa from , where he worked for many prominent genoese familiesreturned to rome c
73 âŹ
-
Bononcini, giovanni battista ()title: giovanni bononcini: san nicola di bari(san nicola, epifanio) 0:51a#cenni tuoi (epifanio, san nicola) 0:49(epifanio, giovanna, san nicola) 0:55
12 âŹ
