Copeau

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  • For copeau this meant the complete personal education of the actor as opposed to a mere dramatic training in order to achieve what he called "the renewal of man in the theatre"in addition to his concept of a unified stage production under the inspiration of a single director/conductor, copeau swept the stage clear of naturalistic decor to emphasize the predominance of the play itself and of the actordrawn from a wide range of published and unpublished works, it offers an opportunity to evaluate the scope and importance of his lifetime search for a true theatrical renovationthough his interests ranged from religion and politics to education and child psychology, his sensibility was dramatic, and he related all his thoughts to theatre practice and traininggood condition hardback, dust jacket is not price clipped, boards are not bent or crackedpaul jacques copeau, founder of the theatre du vieux colombier in paris, is a major figure in the history of early 20th-century theatreorganized thematically rather than chronologically, the book also reveals copeau's consistency of vision throughout his careersee oxfam website for delivery information read moreoxfam bookshop tunbridge wells copeau: texts on theatre jacques copeau, edited and translated by john rudlin and norman hthis book is the first anthology of copeau's writing to be translated into english  some underlining and marks in the margin in pen, almost all in the section "the problem of the actor"

    19 €

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